Tag Archives: grief

Riffs and variations on loss and friendship featuring ennui, Lorde, solutions architecture, and puns about hats

“Did you get it?”

“Not only did I not get it but they didn’t even talk to me about it.”

“But you threw your hat in the ring, right?”

“Yeah, of course but it looks like there wasn’t really a ring to throw my hat into. Or I didn’t have a very good hat. Or the ring was already full with a much better hat. Is that too much now on the hat stuff?”

“No way. I can’t believe they didn’t speak to you. You’ve got a top hat-”

“Really? A ‘top hat’?” interrupted Pete. “That’s the best you’ve got?”

“Unintentional punnery, I promise,” protested Jen. “I would con-fez if it’d been a deliberate hat joke.”

“Good lord. Remind me why I call you again when I’ve got bad news? There’s a…,” Pete paused for emphasis, “…flat cap on my career prospects and by way of commiserations you’re doing bad gags about millinery.”

“Sorry, let’s draw a veil over the whole thing…” said Jen.

“That’s not a hat, is it?”

“It’s kind of head gear. Close enough to count as another feather in my-”

“No more. Enough.” Pete cut off the last pun but she could hear him barely suppressing his laughter.

“Okay. Seriously though, I can’t believe they didn’t speak to you. I know I don’t really know much about that thing you do… what is that thing you do again? Actually, don’t bother, I didn’t really understand it last time. I don’t know much about it but I thought you were getting on really well.”

“So did I. And it’s Solutions Architecture in IT,” said Pete.

“Yeah, let’s not try and have that conversation again.”

“Agreed as long as you don’t try and explain PR to me again.”

“Like I said. It’s dead easy.” Jen let out an exaggerated sigh with a flourish. “I try to get journalists to write nice things about the company, or, technically get them to reproduce the nice things I’ve already written about the company for them,”

“Except…”

“Except when I think they might be about to write nasty things about the company and then I try to stop them. That’s basically it.”

“Doesn’t it ever strike you as, I don’t know, utterly futile?” asked Pete.

“Maybe. No more so than translating a bunch of user requirements into what’s basically just a rough idea for a piece of software design that you then give to some actual developers to go and build.”

“Touche. And I thought you didn’t understand it?”

“PR darling,” mocked Jen. “Knowledge for us is a mile wide and an inch deep. Don’t ask me what any of those things actually mean.”

“Depressing, isn’t it? I can’t decide if I’m genuinely sad about not getting the job or about the fact that I thought I might have even wanted it in the first place. This wasn’t how it was supposed to go, was it? Me and Georgie used to talk about it. How we’d carve out our niches doing the things we loved and it wouldn’t matter too much if we never really got paid that well. I was going to write software, not ‘solutionise’ it or ‘architect’ it or any of those other pieces of jargon we invent to legitimise all this nonsense. She was going to get her club night off the ground, try and get into promoting stuff.”

“What happened?” nudged Jen quietly.

“I don’t know. It seemed temporary and that made it seem okay. Do the big corporate IT job while she got herself set up – I used to run out flyers for her from work on the company printers – and there’d always be time to get back to the other stuff later. Always later. You get used to the money I guess and then… since the accident, since she’s been gone, I’ve just stuck at it. On some level I think I understand it as hanging on to something constant as everything else changed. Even if it was hanging on to something that was a bit crap it was still… still better than everything else.”

“What does your grief counsellor say?”

“That I’m intentionally hanging on to something constant because everything else changed. You don’t think I came up with that phrase on my own, do you? I think what I said to her was that work was utter shit but I preferred sinking knee deep into it every day for the chance to briefly pretend everything else was normal rather than quit and face up to getting on with my life on my own.”

“I prefer your version. Hers sounds a bit like solution architecture. Do you worry we’re getting too old now to change?”

“I don’t know if it’s age or a mindset or what it is. You heard the Lorde record?” asked Pete.

“Of course,” said Jen.

“What do you mean ‘of course’? We’re not 19 anymore, it’d be not that surprising if it had passed us by. I really like it. Like, really like it. More than someone in their 30s should maybe. That last track…”

“Perfect Places?”

“Yeah, Perfect Places. It’s like my experience of being 19 wrapped up in three minutes. All that ennui and that weird mix of thinking you’re having the time of your life but already wondering whether you’re looking in the wrong places for the wrong things. I just listen to it and wonder how it would have sounded to me when I was 19. How she’s nailed that down in the moment rather than ten years later, looking back, I just don’t know.”

“This is a little off topic but do you want to know something funny?” said Jen.

“Go on…”

“I always used to think ennui was pronounced ‘enn-you-eye’. Had no idea that last syllable was like ‘we’.”

“Really? After you gave me such a hard time about Choux pastry? It’s a French word, isn’t it? So it’s pronounced more like ‘oui’. There’s just not a decent English equivalent for that particular brand of boredom and dissatisfaction.”

“Weltschmerz,” declared Jen.

“Bless you,” Pete retorted. “Or gesundheit I guess would be more appropriate.”

“Very funny. Weltschmerz. It’s like the German equivalent of ennui, isn’t it? Or near enough. Wonder why the Europeans got all the good words for a yearning, world weary sadness?”

“Make the most of them. We probably won’t be allowed to use them post Brexit.”

“Why are you thinking about being 19 again? Apart from the Lorde record I mean.” Jen’s voice dropped as realisation struck. “Didn’t you meet Georgie when you were about that age?”

“Yeah, yeah I did. She was the right thing I found, I guess…” Pete trailed off and the line was silent for five, ten seconds. Eventually Jen asked the same question she’d asked every week or so for the past five months.

“I’m sorry Pete but I’ve gotta go now, early start again tomorrow. Are you alright ?” There was the same pause he always left before answering and then the same answer before the line went dead.

“No. Not today Jen. But ask me again tomorrow.”

The line went dead and Pete whispered to himself: “What the fuck are perfect places anyway?”

 

Riffs and variations on loss and friendship featuring Chantenay carrots, bad French, Taylor Swift, and a stuffed rabbit

“You know that Taylor Swift song ?”

“I may be familiar with Swifty’s work. Which one ?”

“Shake It Off.”

“It’s a fine, fine thing. Didn’t think it’d be your cup of tea though.”

“I’m a broad church. But why’s there that whole bit about baking ?” asked Pete.

“Baking ? What are you talking about ?” replied Jen.

“You know… players gonna play, play, play, and then haters gonna hate, hate, hate…”

“Yeah, then it’s I’m just gonna shake, shake, shake.”

“But after that,” interrupted Pete, “it goes bakers gonna bake, bake, bake. Like she’s doing a shout out to sous chefs or something.”

“Sous chefs don’t do the baking you idiot. They’re like second in command chefs. Literally, they’re under chefs. Well, literally linguistically, I don’t know if they’re literally under them physically. Depends on how cosy the kitchen is I guess.”

“Really ? What’s that sous pastry then ?”

“Choux pastry you tit. What were you doing in French ?”

“J’étais pas attention,” replied Pete in a more than passable accent, enunciating each syllable of att-en-ti-on with relish.

“Non ?”

“Non, j’ai seulement pris parce que je pensais que le professeur était très sexy.”

“You’re a man of hidden talents. And did you really just take French because you liked the teacher ?”

“Oui. It’s why I ended up doing Drama and Economics as well. My qualifications are really weird but I have a lot of happy memories in my formative years of vaguely stern older women trying to teach me things.”

“That’s quite enough insight into your adolescence thanks and it doesn’t get you off the hook with the baking thing. She doesn’t sing bakers gonna bake, bake, bake. It’s heartbreakers gonna break, break, break. The whole point of the song is that people are going to try and play her, hate on her, break her heart, or be a faker but she’s not going to let it get to her. She’s just going to shake it off.”

Pete answered quietly, reciting part of the verse. “Shake it off. I’m dancing on my own, making moves up as I go. That’s what they don’t know…”

Jen sighed. “You too, huh ?”

“Oh god yes, me too. After a while I just couldn’t listen to all that miserable stuff anymore. I couldn’t work out whether my own sadness would fade if I didn’t keep stoking it with songs in minor keys so I went through a phase of just playing pop music. I must have listened to Shake It Off ten times a day for a couple of weeks.”

“You heard the Ryan Adams version ? Covered the whole album for some reason.”

“Yeah, I have but you know what ? It doesn’t make any difference. I hear more sadness in her version than his. I know he broke it all down and plays some sparse, stripped back, slowed down take on it but it’s all borrowed…”

“…that’s kind of how cover versions work…”

“…no, I know but you can borrow the song but make the emotion your own. Listen to Buckley’s Hallelujah. Or, while we’re on Adams, listen to his version of Wonderwall, it’s like he found depths in it that Noel Gallagher didn’t even know he’d started digging. But the pathos in Shake It Off is all there in Swift’s original. All sunny on the outside but all dancing on my own on the inside. It’s the girl who didn’t fit in at school, the person who always felt a bit out of place, someone who retreats to their self when they don’t know how to deal with the world.”

“You seem to have given this some thought… Are you sure it’s not just a song about shaking off your troubles and jigging about a bit ?”

“Ten times a day. Two weeks. I know that song like the proverbial back of my hand. It’s not about jigging about a bit. Not for me at least.”

“So…,” Jen paused. “I’m guessing it didn’t actually help you shake it off ?”

“I’m not sure what would help that. The sad songs aren’t doing it and the bouncy ones aren’t either. It doesn’t seem to matter what it is but I just see her or hear her in everything. Always in the most unexpected places. Did I tell you about Valentine’s Day ?”

“Nope, I don’t think so.”

“It had become a bit of an in-joke between us. You know Georgie, she didn’t really go for the whole hearts and flowers thing but underneath it all she was romantic. Not that she’d much admit it but it was there. She liked it if I surprised her with something. It didn’t have to be anything traditional but just something that showed a bit of thought, I think that was what she liked.”

“Is that what prompted the teddy bear thing you two used to do ?”

“Yeah,” Pete laughed. “Sort of. It started as a joke one Valentine’s Day when I bought her the cheesiest bear I could find. It was holding a pink heart that had ‘I love you’ written on it and it had a matching pink bow on its ear. I mean it was just this awful thing that we just had a big laugh about. She went out the next year and got me this massive stuffed rabbit, all doe eyed…”

“Rabbit eyed, surely ?” said Jen.

“It’s an expression. You’re in a very literal mood today. Doe eyed. They’re stuffed toys, they’re not anatomically correct representations of woodland creatures. Anyway, it was all doe eyed, floppy ears and it was holding…”

“Wait, don’t tell me… Was it holding a love carrot ?”

“Hey, leave my love carrot out of it,” laughed Pete.

“With pleasure. Although… If it’s that orange and knobbly then you really should see a doctor, you know ?” Jen was trying and failing to suppress a fit of giggles. “Would you say your love carrot is from the Nantes variety or more of a stubby Chantenay ?”

“What are the ones you get in the shops ?”

“There’s loads of different ones. From the small but tasty aforementioned Chantenay, more of a snacking carrot that one, right through to the Purple Dragon. Ten inches of purple carroty pleasure.”

“You just made that up,” Pete protested.

“No, seriously. When I was at Uni I used to do some part-time work at a greengrocers and so now, along with my degree in History, I have a pretty decent knowledge of root vegetables.”

“Must come in handy.”

“Well, until now, not so much but I can confirm with some authority that the Purple Dragon is an actual thing. It wasn’t that popular, I think the colour put people off, so I used to get given bags of them to take back for the house. We pretty much lived on carrots, Marlboro lights and Thunderbird that year.”

“Was always Asda sherry in our house. Foul stuff but it had the best alcohol content to pound note ratio. I don’t remember many carrots, or vegetables at all to be honest. There was a lot of tuna pasta and a lot of toast. Especially in the third year after me and Georgie got together. We used to sit up after a night out, just talking and drinking coffee, eating toast…” Pete trailed off and there was silence on the line for a few seconds.

“You were telling me about the Valentine’s thing…” Jen nudged.

“The rabbit. Right. She got me the big stupid floppy eared thing and the next year I got her something sillier and it just carried on. She always said that she didn’t like those staged, formal occasions when you were supposed to declare that you were in love but I don’t know. We thought we were being all ironic and above it all but I know we both used to really look forward to that time of year.”

“It was just a different way of taking part,” said Jen.

“I guess. Now though, after the accident, I wish we hadn’t. Every February is just going to be an emotional assault course. I can avoid the card shops easily enough but there’s Valentines stuff everywhere. Supermarkets, petrol stations…”

“Nothing quite says I love you like a bottle of de-icer.”

“That must be the most passive-aggressive Valentines gift you can get your lover.”

“I don’t know. A Chantenay carrot might run it pretty close.”

“I have a run of decent days, maybe even a week, but it’s just too hard when the world is screaming reminders in your face. If we hadn’t made Valentines a thing then it’d be okay but…” Pete trailed off.

“But it was your thing and you should treasure that. Find some comfort in the things that you did and shared rather than mourning the ones you won’t have.”

“You sound like my counseller.”

“That probably means we’re right, yeah ?” said Jen gently.

“You probably are. You both are. But it’s easy in the text book version of stages of grief and not so easy when you’re dealing with it…”

“I know. I’m sorry Pete. I didn’t mean…”

Pete interrupted softly. “Don’t apologise Jen. I’m sorry. I didn’t mean to snap at you. I know you’re looking out for me and you’re right. I do hang on to the happy memories of her but they’re all jumbled up with the feeling that I’ve lost the best part of myself. The past just reminds me that I’ve lost my present and lost my future.”

“It’ll be a different future.”

“I know but I’’m not sure I’m ready to accept that yet.”

The line was silent for five, ten seconds. Eventually Jen asked the same question she’d asked every week or so for the past five months.

“I’m sorry Pete but I’ve gotta go now, early start again tomorrow. Are you alright ?” There was the same pause he always left before answering and then the same answer before the line went dead.

“No. Not today Jen. But ask me again tomorrow.” Pete put down the phone and picked up the large, stuffed rabbit that was lying in front of him, held it up in front of his face. “Do you miss her too ?”

 


This is the third time I’ve felt the need to just let Pete and Jen talk to each other. Format is always the same and the title continues to borrow (steal) from Sufjan Stevens. I just like hearing them try to work things out.

The other two are here: Riffs and variations on loss and friendship featuring balloons, AA Milne, Sufjan Stevens and phone sex

Riffs and variations on loss and friendship featuring onion rings, Nick Cave, tinnitus, and Brexit

 

When I grow up

I’m three years in to this blog now and have sporadically produced an end-of-year round up of my favourite records at year end. Okay, I’ve done it once. This will make it twice. Two out of three ain’t bad as Meatloaf wisely attests.

There’s no getting past the fact that it’s been a dreadful year. The world has gotten uglier, more stupid, and less tolerant. Irrespective of your personal perspective on, say, Brexit or Trump it’s been a  year characterised by a dearth of reasoned, fact based, rational discourse. We are all a little poorer and democracy is ill served by a toxic environment where lies stand as truth and dissenting voices are shouted down as traitors.

In “normal” circumstances the dumbing down and drift (lurch) right of our politics would have been enough to tip this year into the debit column. And, sure, we lost some fine people too. Bowie, Cohen, Prince. How’d I get through the 42 records thing without room for any of them ? All of that marked 2016 as rotten. But all of that, personally, ended up being nothing.

I lost my mum this year. I’m old enough at 44 to have known her a long time. In brighter moments I take some comfort in that but it’s only been three and a half months and there haven’t been many brighter moments. I’ve written about loss and grief elsewhere in these pages and it has seemed an easier thing for me to access or articulate in the abstract. I have exhausted metaphors involving the sea or the weather but it’s interesting that they were the props I reached for. There is something vast and overwhelming about the loss of a parent, even as an adult, that means you reach for things equally vast. I’ve written about depression a lot on these pages as well and there’s some equivalence in the feelings but they’re not the same. I guess the symptoms present in the same way but the root cause is different. Mum used to read my words and I suspect they were a route in to her hearing from me, understanding me. I’ve never been a great talker. I don’t regret. I can’t change the way I’m wired but I hope (I think) that she knew me a bit better as an adult by reading my ramblings about records and my sporadic, random stories. I miss her as my best reader but most of all I miss her as my mum. She was the best one anyone could have.

So my three stand out records of the year (the year being when I experienced them and not necessarily when they came out) entirely reflect all of the above. First up, Marillion’s FEAR (Fuck Everyone And Run) deals in an angry, anxious reaction to the banking crisis, to changes in global politics, to a world in which divisions between rich and poor deepen and grow. It’s breathtakingly good. Broad in scope but personal and relatable, musically rich, technical but emotional. It won’t get much credit in the end-of-year lists because Marillion have long been abandoned by the mainstream music press but it’s a remarkable statement and a career high for a band that have already scaled a few anyway.

Second is Nick Cave’s “Skeleton Tree”. It was released after the death of his son (and partially written after that event, though not entirely) and is devastating. I’m not sure in any other year whether I’d have had the appetite to listen to Skeleton Tree very much. It’s too raw and too painful but I found it a conduit for my own feelings. A lot of stuff felt very trite this year in comparison to “real life” and this record was anything but.

And finally there’s Tim Minchin’s “Matilda” soundtrack/score and, in particular, the song “When I Grow Up”. The musical is an utter delight and I think I found its overtly clever lyrics a tonic in this post-truth year of all years. I’m well aware that the musical particularly speaks to me as a father of a smart, sensitive daughter and that I have become overly sentimental in my middle-ish age. However, “When I Grow Up” kinda sums up the year for me. On the face of it it’s a singalong call to be older, to get to “eat sweets every day” and do what you like – the imagined liberation of being an adult from a child’s perspective. Inevitably it’s more complex than that and I can’t listen to the song without feeling an extraordinary sense of sadness and pathos in the lines about being old enough to carry all the things you have to carry as a grown up, about being able to fight off the monsters under the bed when you’re a grown up. There are lots of markers of being a “grown up”. Formal ones like turning 18 or 21. Or informal ones like buying your first home or getting married or having children. Or losing your mum. I wish, I really wish, that you did get to easily fight off the monsters under the bed when you grow up and I really, really wish you learned to carry all of things you have carry but it’s not as straightforward as that. This year they all got a lot heavier. This year I got to be a grown up and I’d give anything to be able to be a child again.
Go listen if you’re so minded. They’re all great records although none will make the playlists at many Christmas parties. But it hasn’t been that kind of year.

Riffs and variations on loss and friendship featuring onion rings, Nick Cave, tinnitus, and Brexit

“Don’t ask me about sex, okay ?”

“It’s okay Pete. I’ve had the talk. My mum drew the short straw and told me what goes where and how babies are made and how to stop babies being made and how to fake an orgasm. All that stuff.”

“How to what now ?”

“Alright, alright. Just kidding. She only told me the important stuff. You know the faking it bit and how to stop babies being made,” laughed Jen.

“This explains a lot. Remind me never to meet your mother. Or, indeed, sleep with her.”

“At least it wasn’t my dad, right ? And did you just turn down my mum ? You shouldn’t be so choosy. She’s pretty hot for her age.”

Pete exhaled loudly, deliberately. “Weird now. I knew I shouldn’t have raised sex, it always gets weird. All I was saying was don’t ask me about whether I’ve had any recently.”

“Given the request I think I can fill in the blanks. Don’t worry anyway, I wasn’t calling to check up on that. I’ve learned my lesson. We’ll just end up talking about Eeyore having phone sex with Sufjan Stevens again.”

“That’s not quite how I remember it.”

“I was paraphrasing.” Jen put on her best TV voice over voice: “Previously on conversations between Pete and Jen…”

“That’d never make it past the pilot episode,” Pete countered.

“Hey, it might. Maybe they’d get someone more famous in to replace you for the actual series but I reckon I’d be snapped up to continue playing the role of myself.”

“I’d forgotten just how much your calls cheer me up Jen…”

“Quit it sarcasm boy. I know the only reason you won’t let me Skype you is that you wouldn’t be able to hide the smiling.”

“No, it’s because I don’t want you to see the state of the flat to be honest.”

“Still living out of pizza boxes ?” asked Jen, concerned.

“Something like that. More like I’m living in a pizza box. Apparently some people get a compulsion to clean and tidy as a side order to go with their grief but I didn’t seem to.”

“Like the world’s worst meal deal ?”

“Yeah. An Unhappy Meal,” said Pete. “I’ll take mine extra large.”

“What are the fries in this analogy ?”

“I don’t think that’s the most important part of what I’m saying Jen.”

“Mmm, I know. I just really like fries. I think they’re probably the onion rings or something. Georgie loved those Burger King onion rings, you know ?”

“Yeah, she did,” said Pete. “Do you remember coming back from The Chemical Brothers in Brixton ? She must have had four bags of them before we got to Victoria. I think she had the munchies from all that secondary smoke.”

“She never could handle her secondary smoke.”

“Handled everything else though,” said Pete quietly.

“Yes, she did Pete,” Jen answered, equally quietly. “She was… She was… Fuck. There’s nothing I can say that isn’t fucking trite and pointless. She was Georgie and she was my friend. That’s it. It’s as simple as that. I miss her. I miss her so fucking much.”

“I thought it’d get easier, you know ?” said Pete. “Those first months I was just numb to everything, like my brain had decided to self administer a huge dose of anaesthetic. I knew there was something horribly wrong but it was all sort of detached, like I was watching it happen to someone else. But these past few weeks the anaesthetic’s wearing off and outside of the numbness there’s just pain. There’s just nothing but pain.”

“I’m supposed to say it’ll take time, right ?” said Jen gently.

“You’re hurting too Jen. It’ll take time for all of us. I don’t know, the talking helps but the actual words… the actual words just all feel empty.”

“That’s why I call and talk… talk stupid. All that vapid nonsense is just a way to not say what we’re supposed to say. If the words are all empty then why not make them really, properly empty ? I miss her so hard Pete and I know that it’s not fair to call you and say that.”

“It’s okay. None of it’s fair but I don’t have exclusive rights on missing Georgie. She loved you. You were her best friend.”

“Apart from you. We were her best friends. Christ, I can’t believe it’s been three and a half years.”

“Want to hear something stupid ?” said Pete, suddenly.

“Always. Especially now,” replied Jen.

“I got into an argument today with some bloke in Sainsbury’s. I think I’d been spoiling for a fight for the last few weeks, I just didn’t expect it to be over a deli counter in a supermarket. I keep thinking I’m through the angry phase but then I just find myself back in it again. Anyway, we were waiting to get served – it was one of those counters where you take a ticket and wait for your number to come up – when this guy suddenly pushed in front of the woman in front of him. She says something, strong Eastern European accent, and then he turns round and tells her that he doesn’t have to wait in line behind people like her anymore. That she can go get her cheese in her own country.”

“Her own cheese ?”

“Seriously. You couldn’t make it up. He started ranting about taking our country back and how she wasn’t welcome, coming over here buying up all the foreign cheese. I think she was Polish…”

“Renowned cheese makers that they are…”

“Well, quite,” Pete continued. “Anyway, everyone was standing around not knowing what to do and this poor woman started to look really quite scared so I asked him to get back to his place in the queue and calm down a bit.

“You asked him to calm down ?”

“Yeah. Turns out telling frothing bigots to calm down doesn’t really calm them down,” said Pete.

“What were the chances ?”

“Easy in hindsight. He starts yelling at me that I’m a traitor to my country and that I need to learn what democracy means and how his grandparents had liberated Europe from the Nazi’s…”

“So he started doing irony ?”

“Not intentionally, no. I think he offered me outside but by then the security guy had appeared and threatened to throw us both out if we didn’t cool down. My new friend Mosley or Nigel or whatever his name was turns back to the counter and places his order. Only goes and orders pierogi and kabanos.”

“No fucking way.”

“No, he didn’t really. Slab of Cheddar and some Red Leicester.”

There was a pause as Pete laughed at his own joke before Jen asked, “How’d we get in this mess ?”

“Elastic bands,” answered Pete. “Hear me out, I’ve got this theory. I didn’t vote leave but I get why some people did. They’re not all like that idiot. It’s just that we’ve gotten too stretched…”

“Keep going Chomsky.”

“It’s good, you’ll like it. The elastic band is society and then imagine the people at the top of society are one end of the elastic band and the people at the bottom are opposite them. The more distance there is between them the more tension there is in the band, until the band either snaps back together again or…”

“Or it breaks,” Jen finished.

“Or it breaks.” Pete started singing softly: “I got those elastic band post-Brexit blues.”

“Ha, sounds like it should be a Nick Cave song.”

“You heard Skeleton Tree ?”

“Of course I’ve heard it Pete. When you were telling me about that Sufjan Stevens record a couple of months ago I couldn’t get my head round it. I couldn’t understand why you’d want to listen to something that was so nakedly carved out of someone else’s grief. But then I heard the Cave record and I’m like a moth banging its head against a light bulb. There’s no shelter in it, no comfort but it just shows you so much pain that it kind of matches your own. I’m not making any sense…

“No, I get it. You ever have tinnitus ?”

“That ear ringing thing ? No, not really. I mean only after a gig or something, nothing permanent,” said Jen.

“I have it a bit. Like static in my left ear all the time. It’s always there but one of the things they tell you to do to mask it is to match it up with something on the same frequency. So I might listen to some tuned out radio white noise and then I don’t hear it. I think the Nick Cave record’s like that. Only something that intense, that raw, can match up to what we’re feeling and give some release to the pain. Maybe not release. Give some sensation to the pain might be a better way of describing it. It short cuts that anaesthetic.”

“Why’d we want to do that ?”

“Because the anaesthetic’s not real,” sighed Pete. “She’s gone Jen and she’s not coming back.”

The line was silent for five, ten seconds. Eventually Jen asked the same question she’d asked every week or so for the past five months.

“I gotta go now Pete, early start tomorrow, but are you alright ?” There was the same pause he always left before answering and then the same answer before the line went dead.

“No. Not today Jen. But ask me again tomorrow. What about you ?”

“No. Me neither Pete. But ask me too.”

 

……

This is story 40 in a series of 42 to raise money and awareness for the mental health charity Mind. My fundraising page is here and all donations, however small, are really welcome: http://www.justgiving.com/42shorts

This is a direct sequel to story 14 (https://42at42.wordpress.com/2015/04/04/riffs-and-variations-on-loss-and-friendship-featuring-balloons-aa-milne-sufjan-stevens-and-phone-sex/) and shares its structure: I just really wanted to hear Pete and Jen talking to each other again. It also directly lifts its title (or the basis for its title) from the similarly named Sufjan Stevens song.

The undertow

 

You see the wave coming,

And you brace for its embrace.

Wedge your feet into sand, toes curled round sea smoothed stone

And stand before the swell and the break.

 

You see the wave coming,

But the impact still shocks.

And you rock, numb, breathless, on heels,

Taste salt on your lips and shake your eyes clear.

 

You don’t see the undertow.

 

Not as you’re drenched in the spray and fighting for balance and finding your footing and struggling to stand and

 

You don’t see the undertow.

 

You feel the undertow pulling and

Your firm footing starts sliding grain by grain away from your feet

And stones catch your ankles as they beat an urgent retreat

And you notice the pulse of the sea and your own staccato heartbeat

And the next wave is rising and rising and rising

And standing up to the first one, that short lived victory,

Now just feels like defeat.

 

You feel the undertow calling

And it whispers to let it seduce you

To enfold you in its eternal and endless depth.

 

Siren’s don’t always give warning.

 

The storm

Someone scrubbed out the sky. We arrived under endless clear blue and departed beneath muted grey, almost dissolving and discolouring to white. As if the colour was a mistake, erased. Or perhaps drained away: we have used all of our colour today and there is none left for the sky. The details on the horizon remain, the tree line picked out in sharp focus against the grey-white backdrop. It’s like a child’s drawing that started from the earth, penciling in a road, some cars, headlights reflecting and refracting in the rain, making it as far as the midline of the page and trees on the horizon but then leaving the sky blank. Or did the sky simply wash itself out ? All its colour weeping across the earth, falling in torrents of rain ?

We ascribe meaning to meteorology on days like today. We arrive bathed in sunshine, hot and anxious in unfamiliar suits and collars, and you depart under a cloudless sky. We then depart and the storm breaks; the sky is spent, its facade crumbles and it denies us sun and permits us only rain. The storm will last a good and terrible while yet. I think we know this and we dig in, hunker down in its eye and listen to the relentless drum of rain on pavement, the gurgle of over worked drains struggling to clear the deluge, and watch the battering of the leaves on stoic trees. The leaves will submit and fall as summer fades to autumn, as seasons renew, as the world turns.

We submit and fall in the storm as our summer fades to autumn. We will renew but not yet, not so quickly or implacably as the world turns. It can turn awhile without us. We will wait for the storm to blow itself out and for the colour to return to our sky.

 

……

This is for my mum, my best and most loyal reader.

The cowgirl and the counsellor

I was late for the appointment. It had helped to talk about him at first but not anymore. I felt like lately Claire didn’t want to talk about him; she wanted to talk about me and I wasn’t interested in that. Or didn’t want her interested in that at least. I was my own puzzle to solve.

Her room was bright, pastel painted walls, a large print of Van Gogh’s “Sunflowers” hung above a walnut coffee table atop which sat a box of tissues, a sketching book and a selection of pencils in a jam jar. Claire was sitting forwards in her chair, smiling, and beckoning me into the room. It always struck me as odd. This incongruous, boxed off oasis of peace in an otherwise sterile set of shared, serviced offices. Grief counselling and therapy alongside A-Z MiniCabs, LB Accounting, and Mitchell & Hobbs Solicitors: wills and inheritance a speciality. That always struck me as particularly unfortunate and Claire hadn’t found it funny in one of our early sessions when I’d asked if she picked up many referrals. I always felt like she was testing me and I was failing. Maybe I’d just wanted to test her for a change.

“Sorry I’m late” I offered. She just broadened her smile and shook her head, gesturing at me to sit down. I perched on the edge of the armchair that was reserved for the unwell, the soft chair to sink into and surrender. I could smell her herbal tea. The more the room screamed calm at me the more I felt on edge.

“How are you ?” asked Claire. “It’s been some time…”

“I’m fine,” I replied, too quickly. She pursed her lips and inclined her head, expecting more. “Really. I’m sorry I’ve missed a couple of sessions but I think that just shows that I’m doing well. I haven’t needed to talk to anyone. No offence.”

“None taken. I’m glad to hear that you feel you’re doing well.” She fell silent. I knew how this worked by now; early on I used to hate the silence and would desperately fill it. Stories of growing up, memories of Dad. I would tell her I felt sad if I thought that was what she wanted to hear and other days I’d tell her it was getting easier, that I thought I was getting better. I did feel sad. But not in the way that I could tell Claire even if I’d wanted to. I don’t really have words for how empty everything had felt after he died, how numb. When I was little I broke my arm, fell off a swing in the park, and the pain was so intense at first that I blacked out. When I woke up in the ambulance they must have given me something because everything was duller, I could still feel the sensation in my arm but it was like I’d been separated from it. They stopped me feeling it because I couldn’t cope with it. That’s what the sadness felt like now: if I try to really feel it then I can’t deal with it. There’s just too much of it and so I try to stay separate from it. Claire cracked first. “I’ve been reading back through my notes and it struck me that we never really talk about the reason you’re here.”

“I don’t understand what you mean ?” I replied. I started to fold my arms but forced myself to leave them open, any change in posture usually provoked a flurry of note taking from Claire as if my innermost thoughts were laid bare by the position of body parts. We had spent twenty minutes in a previous session debating my fingernails, bitten to the quick. She saw some conspiracy of anxiety whereas I was pretty sure it was just because I couldn’t play the guitar with nails. Eventually I’d confessed to a concocted feeling of restlessness as she’d become increasingly interested in how I felt when I played music. I think I’d made the mistake of saying that I needed my fingertips exposed to connect to the strings, that in a funny way I felt connected to myself when I played. It was too close to the truth and so I’d deflected her with a lie. The pain isn’t separate when I play.

“We never talk about how you feel about your dad’s death,” said Claire. I held her gaze, fighting the urge to look away, to twist and hide in my seat. This was unusually direct for her. Perhaps she was as tired as I was of dancing around each other. Perhaps she’d given up trying to coax me out and had settled on a full on assault. She broke eye contact. “I’m just trying to help you Emily. Grief is a complex thing, it can eat you up without you even realising. I’m worried that you’re not…”

“Not grieving ?” I interrupted.

“No,” she said. “I can see that you’re grieving. You’re hurting so much that I think you’ve shut yourself off from feeling anything much at all and that’s a part of grieving. But it’s not a part you can stay in forever if you want it to get better.” She was looking straight at me again now and this time I did look away. I knew she was right. Maybe that was why I kept coming back, despite my deflections and defensiveness she kept on trying and, at times, she seemed to find me even as I tried to keep myself hidden.

“I… I don’t know how to do it,” I whispered into my shoulder.

“There’s no right and wrong way. You don’t get an instruction book. They don’t even give me one and I’m supposed to be helping.” I looked back at her. She was leaning forwards in her chair looking intently at me with a worried, weary smile. I smiled back at her.

“So what do we do now ?”

“I think now we try and do this a different way. Write me a song. Forget about today, we can just have a cup of tea and chat about the weather.” She must have caught the look on my face. “Don’t worry, you don’t have to have the herbal stuff. Come back next week, bring your guitar, and write me a song. I’d love to hear you sing. Deal ?” I was scared but curious. I thought I knew what she was trying to do but the quickening in my pulse when she’d asked me to write a song was the most alive I’d felt in weeks. Perhaps it was time to stop hiding.

“Deal.”

 

……

This is story 31 in a series of 42 to raise money and awareness for the mental health charity Mind. My fundraising page is here and all donations, however small, are really welcome: http://www.justgiving.com/42shorts

This is probably the last we’ll hear from Emily’s story (as spread across the previous three posts, Concrete Cowgirl, Broken, and Heartbreaker) for a while. Largely because I haven’t written anymore of it… However, I think she’s okay in Claire’s capable hands for a while. This one’s for anyone that’s ever sat in a therapist or counseller’s room and wondered how the hell they try and explain how they feel. I was spectacularly bad at it !